MONOTYPE

The monotype has been called a “painterly print”. It is a one-of-a-kind work, the product of a single printmaking technique, or several techniques combined. Monotype has been considered a planographic printmaking medium, because the matrix or “plate” is usually a flat surface.

After printing, a faint image (ghost image) may be left on the plate. If the artist reworks this image, but includes some vestiges of the original monotype, the result is called a monoprint. Prints made by altering ink application on any relief, intaglio, lithographic  or serigraphic matrix, are also considered monoprints because they contain the same image (or a portion of it) carried on the matrix.

Today, with access to many traditional and contemporary techniques and materials, many artists are involved in making monotypes and monoprints. The monotype captures spontaneous brushwork, drips, wash effects, color rolls. Combined with photographic images or imagery from an etched plate, printed block, stamp or stencil, collaged materials, etc., there is no limit to imagery and effect. Years ago when an artist wanted to exhibit a monotype or monoprint there was no specific category for either because they were not part of an edition of prints. Today most galleries and art institutions recognize and accept both as a valid art forms.